Native American Crafts

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A unique handcrafted piece of Native American Acoma Pueblo pottery.

Native American Pueblo Pottery Vase -Acoma

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Penetrating study of Pueblo ceramic art—materials, methods, decorative elements, use of color, etc.—plus ideas, feelings and attitudes toward craft. 38 full-page plates. 14 plates in red, white and black.

The Pueblo Potter

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The authors examine fine and rare examples of pots – many of which are from private collections – in terms of forms and ensigns from the ancient antecedents of Zuni pottery to the contemporary work being produced today. The definitive treatment of the extraordinarily popular Zuni Pueblo’s long and complex ceramic tradition, this book sets the gold standard and will be an indispensable reference for researchers, collectors, native arts enthusiasts, archaeologists, and visitors to the Southwest.

The Pottery of Zuni Pueblo

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It is conceded that the peculiarities of a culture-status are due chiefly to the necessities encountered during its development. In this sense the Pueblo phase of life was, like the Egyptian, the product of a desert environment. Given that a tribe or stock of people is weak, they will be encroached upon by neighboring stronger tribes, and driven to new surroundings if not subdued. Such we may believe was the influence which led the ancestors of the Pueblo tribes to adopt an almost waterless area for their habitat.

It is apparent at least that they entered the country wherein their remains occur while comparatively a rude people, and worked out there almost wholly their incipient civilization. Of this there is important linguistic evidence.

[Illustration: FIG. 490.--A Navajo hut.]

A Navajo hogan, or hut, is a beehive-shaped or conical structure (see Fig. 490) of sticks and turf or earth, sometimes even of stones chinked with mud. Yet its modern Zuni name is _ham’ pon ne_, from _ha we_, dried brush, sprigs or leaves; and _po an ne_, covering, shelter or roof (_po a_ to place over and _ne_ the nominal suffix); which, interpreted, signifies a “brush or leaf shelter.” This leads to the inference that the temporary shelter with which the Zunis were acquainted when they formulated the name here given, presumably in their earliest condition, was in shape like the Navajo hogan, but in _material_, of brush or like perishable substance.

The archaic name for a building or walled inclosure is _he sho ta_, a contraction of the now obsolete term, _he sho ta pon ne_, from _he sho_, gum, or resin-like; _sho tai e_, leaned or placed together convergingly; and _ta po an ne_, a roof of wood or a roof supported by wood.

[Illustration: FIG. 491.--Perspective view of earliest or Round-house structure of lava.]

The meaning of all this would be obscure did not the oldest remains of the Pueblos occur in the almost inaccessible lava wastes bordering the southwestern deserts and intersecting them and were not the houses of these ruins built on the plan of shelters, round (see Figs. 491, 492, 493), rather than rectangular. Furthermore, not only does the lava-rock of which their walls have been rudely constructed resemble natural asphaltum (_he sho_) and possess a cleavage exactly like that of pinon-gum and allied substances (also _he sho_), but some forms of lava are actually known as _a he sho_ or gum-rock. From these considerations inferring that the name _he sho ta pon ne_ derivatively signifies something like “a gum-rock shelter with roof supports of wood,” we may also infer that the Pueblos on their coming into the desert regions dispossessed earlier inhabitants or that they chose the lava-wastes the better to secure themselves from invasion; moreover that the oldest form of building known to them was therefore an inclosure of lava-stones, whence the application of the contraction _he sho ta_, and its restriction to mean a walled inclosure.

[Illustration: FIG. 492.--Plan of Pueblo structure of lava.]

[Illustration: FIG. 493.--Section of Pueblo structure of lava.]

RECTANGULAR FORMS DEVELOPED FROM CIRCULAR.

It may be well in this connection to cite a theory entertained by Mr. Victor Mindeleff, of the Bureau of Ethnology, whose wide experience among the southwestern ruins entitles his judgment to high consideration. In his opinion the rectangular form of architecture, which succeeds the type under discussion, must have been evolved from the circular form by the bringing together, within a limited area, of many houses. This would result in causing the wall of one circular structure to encroach upon that of another, suggesting the partition instead of the double wall. This partition would naturally be built straight as a twofold measure of economy.

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A Study Of Pueblo Pottery – Frank Hamilton Cushing

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Members of a Tewa Indian family living in Santa Clara Pueblo in New Mexico follow the ages-old traditions of their people as they create various objects of clay.

Children of Clay: A Family of Pueblo Potters

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In 1974 Seven Families in Pueblo Pottery was published to accompany an exhibit at the Maxwell Museum of Anthropology; twenty years later there are some 80,000 copies in print. Like Seven Families, this updated and greatly enlarged version by Rick Dillingham, who curated the original exhibition, includes portraits of the potters, color photographs of their work, and a statement by each potter about the work of his or her family. In addition to the original seven–the Chino and Lewis families (Acoma Pueblo), the Nampeyos (Hopi), the Gutierrez and Tafoya families (Santa Clara), and the Gonzales and Martinez families (San Ildefonso)–the author has added the Chapellas and the Navasies (Hopi-Tewa), the Chavarrias (Santa Clara), the Herrera family (Cochiti), the Medina family (Zia), and the Tenorio-Pacheco and the Melchor families (Santo Domingo).

Because the craft of pottery is handed down from generation to generation among the Pueblo Indians, this extended look at multiple generations provides a fascinating and personal glimpse into how the craft has developed. Also evident are the differences of opinion among the artists about the future of Pueblo pottery and the importance of following tradition.

A new generation of potters has come of age since the publication of Seven Families. The addition of their talents, along with an ever-growing interest in Native American pottery, make this book a welcome addition to the literature on the Southwest.

Fourteen Families in Pueblo Pottery

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Pueblo Pottery Designs

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Working without the use of the potter’s wheel, the Pueblo Indians in the American Southwest created beautiful ceramic ware for both utilitarian and ceremonial use. A classic in the field, this book is the first comprehensive account of historic Pueblo pottery, and results from years of study by Larry Frank, an authority on this and other North American Art Forms, and lengthy technical research by Francis Harlow, an internationally known scientist. Illustrating the text are dozens of superb photographs by Bernard Lopez. With nearly two hundred examples, the authors appraise the aesthetic value of Pueblo pottery as rivaling that of any ware made by Neolithic societies, whether in America, Europe, the East of Africa. This book captures that beauty and informs the reader.

Historic Pottery of the Pueblo Indians, 1600-1880

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This volume introduces potters of the past two centuries form Pueblos located south of Santa Fe: Acoma, Cochiti, Isleta, Jemez & Pecos, Laguna, Sandia, San Felipe, Santa Ana, Santo Domingo, Tigua/Ysleta del Sur, Zia and Zuni. The goal was to record all known potters from past to present.

Southern Pueblo Pottery: 2,000 Artist Biographies With Value/Price Guide : C. 1800-Present

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Stephen Trimble conveys the beauty and fine craftsmanship of Pueblo Indian pottery and shows how pottery making is closely connected to the Pueblos’ beliefs, their ties to the land, their role in the modern economic world, and their feelings of identity. With over 75 photographs, Talking with the Clay illustrates all the major pottery types, from the glittering micaceous of Taos and Picuris to the red and gold polychromes of Hopi.

Talking with the Clay: The Art of Pueblo Pottery in the 21st Century

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